We’re going to break things into three layers. We needed to simplify things down because we wanted it to have an illustrative style that alone starts creating its own rules. The rebirth lab set in Captain America: The First Avenger was lit differently from how we did it in Episode 101. We’re always trying to push stuff to get it to look cooler or more dynamic. We’ll put atmosphere behind a character, make them darker and put a rim light on them. We’re constantly making sure that a character or object or environment is placed where you can see it. “What we are trying to do differently from the live action is to play up the concepts of silhouettes. “There is a responsibility to pay tribute to the movies, which is cool and hard,” states Lasaine. Collaborating on the world-building with Bradley and director Bryan Andrews was Production Designer Paul Lasaine ( The Boxtrolls).
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